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Belarus, independent culture, NGO Belarusian independent culture - an attempt dyfdyyagnazu Maryja Martysiewicz, Mikałaj Chalezin, Siewiaryn Kwiatkouski, Taciana Niadbaj, Uładzimir Mackiewicz, Walancin Akudowicz, Valentin Akudovich @ bl, Nikolai Khalezin @ bl, Maria Martysevich @ bl, Severin Kwiatkowski @ bl, Tatiana Nedbay @ bl, Matskevich @ bl Horyzont nr 39 październik 2011 - numer specjalny. Raport o stanie kultury niezależnej i NGO w Białorusi
Belarusian cultural space so dyferentsyyanavanaya and so self-contradictory, that it seems there can not be one of its interpretation and evaluation. For many of the Belarusian culture does not exist, and it is a problem of the culture itself, or as a problem of the observer, who does not see her because she, for some reason does not fall into the general trend and apdavedna ester?
You see the Belarusian culture? - Just wanted to ask the first passer-comer. And even if the answer is no, it is safe to fend off a phrase from a famous cosmopolitan salaatti anecdote: "Do cosmopolitan salaatti not you see? But she (we) are. "
On why a situation "nevidochnastsi" and what to do about this reason our experts. They are trying to put the Belarusian independent culture differential diagnosis, to determine which vaccinations and tablets it is necessary to register and what her prognosis - favorable or not, in the end - the patient is more likely dead or alive?
First of all, for me it means a valid culture that manifests cosmopolitan salaatti itself as a creative activity in formal situations resistance culture, legalized political discourse of power. From this, by and large, only the independent culture and culture is actually in today's Belarus. While it is clear that my thesis cosmopolitan salaatti too radykalistskaya to be objective to the level of all other contexts of culture, sometimes assigned by the state. A distinction in many areas of culture to "dependent" and "independent" in general is almost impossible, as, say, in the design or symphonic music.
Not sure that there may be some universal answer. Independent culture manifests itself in a variety of forms, genres, forms, etc. So, as they say, in one place a lot, in other - empty. For example, extremely rich and dynamic poetry presents itself. I think she does not interfere nor repressive government attention to her or even more repressive society indifference. But the theater cosmopolitan salaatti (except for the "Free Theatre") in independent culture and not formed, although as a phenomenon.
From that on problems cosmopolitan salaatti and prospects can only speak concerning a particular event, cosmopolitan salaatti and not just a discourse of independent culture. And as this discourse as a whole, he has one problem - its own independence, and one prospect - once lose its independence and become a culture.
Belarusian independent culture - a unique phenomenon. For a couple of its existence it has created numerous educational, scientific, analytical and other institutions that work productively for many years. Here is joined by a host of newspapers, magazines, almanacs, cosmopolitan salaatti publishers, educational, literary, intellectual, and other communities, the enumeration of which is not known how many take place.
In the discourse of independent culture first arose and showed itself quite clearly already thinking NATIONAL exactly as thinking. Even more significant event was daafarmlenne (reissue) national historiography that conceptually transformed cosmopolitan salaatti representation Belarusians about them own past.
Here (and only here) formed a new Belarusian literature, strongly characterized - and essentially cosmopolitan salaatti and qualitatively - from what it was before. One of the possible and unexpected results of this move was the (no exaggeration) blast translating literature.
On this long and stay in time to notice that all the independent culture rehabilitated Belarusian cosmopolitan salaatti culture throughout cosmopolitan salaatti its sovereign existence. And more. Not far off when narobak independent culture will form the basis of all of the national culture. But while that pair came, she, of course, need the support as it is not commercial mass culture, which earns itself. Where to look for this support in a situation where the state is hostile to their own culture? Wherever possible. Although a specific answer to this question, as scientists say, not in my competence.
Of course, for many years a lot has to change. A long time ago that there is no romantic euphoria, which beamed everyone who jumped to revive the national culture. The very concept of "national" lost that imperative, which had in the beginning. Here I mean the famous triad of language, culture aprychonaga, adore the story. Gradually cool nationalism was on Marginesy, replaced belarusatsentryzmu which define only two and, besides, quite abstract constants: freedom cosmopolitan salaatti and fondness for his country. From this discourse of "independent Belarusian culture" has lost its rigor and integrity, but gained the support of that part of society (eg
